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The evolution of orthographic projection from a technique to a convention has provided architecture with orthographic drawing—a form of imaging continually used to present, defend, and build architecture…
ISBN: 978-1-943532-74-2 Binding: Soft Bound Pages: 200pp Publication Date: Spring 2020 Rights World: Available Size: 9″ x 10″ Portrait
“In this book, I mine the instrumental history of orthographic projection to reacquire the generative techniques of drawing that do not deal with visualization.”
978-1-943532-74-2
Soft Bound
200pp
Spring 2020
Available
9" x 10" Portrait
The evolution of orthographic projection from a technique to a convention has provided architecture with orthographic drawing—a form of imaging continually used to present, defend, and build architecture. Orthographic projection’s geometric principles and complex history are no longer part of an architect’s education, and yet its underlying Euclidean geometry informs the materialization of architecture, regardless of complexity. In this book, I mine the instrumental history of orthographic projection to reacquire the generative techniques of drawing that do not deal with visualization. Animating Guarini is thus a historical account and a reimagining of orthographic projection as a drawing technique that precedes convention.
Mark Ericson is Associate Professor in the School of Architecture at Woodbury University in Los Angeles. His drawings have been published in LOG, 306090, and the catalog for the Museum of Modern Art exhibition Uneven Growth. His research focuses on studying and reimagining historical practices of drawing.
Perry Kulper is an architect and Associate Professor at the University of Michigan. After working with Eisenman/ Robertson, Robert A.M. Stern and Venturi, Rauch and Scott Brown he taught at SCI-Arc for 17 years. Recently he ventured into the digital world, looking into Photoshop operations. Fantastic beasts have been on his mind.
Excerpt from Animating Guarini
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