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The Spoils of Dust: Reinventing the Lake that Made Los Angeles Alexander Robinson Applied Research & Design (2018)
At the start of the twentieth century, Owens Lake in southern California was one of the largest inland bodies of water in the United States. By the mid-1920s, it was gone, drained to provide water to a mushrooming Los Angeles. Over the past 30 years, the city has spent around US$2 billion to undo the damage. It has failed to restore the lake, but in The Spoils of Dust, Alexander Robinson describes how the effort has succeeded in another way: by creating a landscape no less valuable ecologically. By documenting the transitions the lake has undergone, he suggests a way forward for engineers, geologists, ecologists and landscape designers hoping to bring other environments back from the brink.
The despoiling of the lake (which was nearly the length of Manhattan, New York) began in 1913. Former president Theodore Roosevelt had ratified a plan for an aqueduct that would divert water from the Sierra Nevada mountains to Los Angeles, instead of the lake. Within two decades, the city’s population had more than quadrupled. By then, the lake bed was dry and the city sought supplies elsewhere. Winds cascading off the mountains swept up storms of dust from the barren land. Sulfate salts eroded clay soils, and toxic particulate matter, including arsenic and cadmium, wafted into the atmosphere. Scientific studies concluded that the dry lake bed was causing itchy throats, burning eyes, asthma and other respiratory problems in the surrounding communities.
A mule team hauls pipes during the building of the Los Angeles Aqueduct in 1912.Credit: Herald-Examiner Coll., L.A. Public Lib.
In 1990, this human-made dust bowl prompted the US Congress to amend the 1963 Clean Air Act to include land use, as well as industries, as sources of pollution. At times, the measure of particulate matter at Owens Lake was the highest in the country, at more than 120 times the Environmental Protection Agency’s air-quality limit. The Los Angeles Department of Water and Power decided that the most expedient solution was to refill a large portion of the lake.
Unsurprisingly, the plan failed. The land has been altered irrevocably, and only shallow, temporary pools formed along the basin. However, the dust storms did die down, and the city avoided regulatory fines. So it continued to dampen the dust by flooding the area and adding gravel.
Initially, the authorities paid little attention to restoring local ecology, but the transformation of the dry lake bed into a heterogeneous expanse dotted with saline pools encouraged the return of wildlife. In 2010, nearly 40,000 native and migrating birds were counted in a single day, including rare western snowy plovers (Charadrius nivosus nivosus). In 2011, the number was closer to 60,000; by 2013, it was up to 115,000. And nearly 5% of the world’s population of American avocets (Recurvirostra americana) were seen at the lake in 2013.
Birds have been returning to Owens Lake as the ecosystem changes.Credit: Brian Vander Brug/LA Times via Getty
The same year, the city proposed putting up to $1 billion into the dust-control project, which now included habitat, cultural resources and economic development among its goals. The new iteration of the project prompted an unprecedented level of data collection. NASA satellites that measure short-wave infrared bands were calibrated with tap tests on the ground to track wetness across the expanse. Geographers used the Global Positioning System to map topographical features. And birdwatchers — professional and amateur — flocked to the site. Intermittent flooding created microhabitats for an enormous diversity of birds: shorebirds, divers and migratory fowl were drawn to various salinities, depths and the particular vegetation or invertebrates in each niche.
Throughout The Spoils of Dust, Robinson, a landscape architect at the University of Southern California in Los Angeles, points out that lakes need not be appreciated only as static bodies of water — a dictionary definition. Owens Lake no longer fits that definition; but nor did it 4,000 years ago, when the area was an arid expanse. By revealing the return of life to the site, Robinson invites the reader to appreciate this landscape as a phase in the lake’s progression, rather than see it as a wasteland. After all, to embrace this new environment, the public has to like it.
The Los Angeles city government has come around to this view. In the past few years, it has included artists and landscape architects in the restorations of Owens Lake. For example, an open plaza on one side of the expanse is meant to resemble birds’ wings; etchings in a dust-control zone read “Tweet, Tweet” when viewed from above. But Robinson says that this municipal effort, although moving in the right direction, misses the mark. Instead, designers might work with features of the dry lake bed itself in the future — creating visual prompts that help people take pleasure in a huge, managed landscape that comprises pools, sand and mudflats as well as dust-control gravel raked into sinuous curves. To many, it will be much less familiar than, say, a white-sand beach or lake front.
A dust cloud over Owens Lake in 2010.Credit: Brian Russell
And Robinson concedes that amplifying the beauty of such a landscape will not be simple. Unlike people working on many environmental design projects, architects and artists at Owens Lake must balance the aesthetics of the landscape with the need to conserve wildlife and water, and stave off further toxic dust storms.
Robinson ends the book with tools that might help landscape architects — and the public — to see the future of Owens Lake as an amenity. Beyond making it non-toxic and ecologically sound, the city could call the project a success if the public champions this reinvented land. To this end, one of the tools Robinson introduces is a robot that rakes sandpits with various designs and connects with 3D-modelling software that renders how the lake bed might look in various scenarios. These parameters can be drawn through the reams of data already collected on factors such as water flow, ecology and cost. To encourage public participation, Robinson has created an arcade-style game in which users explore how changes in design alter dust, water and habitat on the basis of computer models. They then print a postcard from their imagined territory.
At times, The Spoils of Dust is a dense read. But its gorgeous maps, graphs and photographs celebrate a landscape that others might dismiss as post-apocalyptic. Robinson makes a convincing case that massive human developments need not always result in decimation. “Even more improbable than the control of the lake’s fearsome dust storms,” he writes, “is the fact of its strange rebirth.”
Source: Nature 563, 322-324 (2018)
Thursday, November 08, 2018, 6:30pm - 8:00pm
Andrew Atwood, is assistant professor at UC Berkeley. His work centers on techniques of representation as historical and conceptual instruments and how they specifically relate to the production of architecture and architectural pedagogy. His machines, drawings, and other works have been exhibited widely. Atwood holds a Master of Architecture from Harvard GSD and a Bachelor of Arts in Political Science from the University of Richmond. In 2011, Atwood established First Office with Anna Neimark in downtown Los Angeles. Their work and writing show a commitment to expanding the role of architecture in the public realm and to bringing the community into a closer relationship with art and architecture. Built projects include a collaboration on the Pinterest Office Headquarters in San Francisco, a temporary Screening Room at the MAK Center for Art and Architecture, a One-Room House in Los Angeles and a Studio for Art in Charlottesville, VA. Collaborative texts have been published widely, including in architecture journals Log, Perspecta, Project, and Praxis. A selection of essays and projects have been compiled in Nine Essays by First Office, published by Graham Foundation’s Treatise: Why Write Alone. In 2018, Atwood published his first book, Not Interesting: On the Limits of Criticism in Architecture.
This event is open to current Cooper Union students, faculty and staff. Room 315F.
View the full Fall 2018 Lectures and Events List.
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UrbanLab Bowling
Although it took us three years to create Bowling*—our 300-page “manifesto” about water, architecture and urbanism—the process was made so much better by the steady, patient guidance and design direction of Rick Valicenti, and the impeccable craft and typography of Taek Kim. For something that took time to forge, working with Rick and Taek made the entirety of the collaborative process a real pleasure.
* Bowling: Water, Architecture, Urbanism asks: Why, as a discipline, do contemporary architects counter huge crises with small ideas? Architects once thought and theorized the huge (both huge problems and huge solutions). In addition to unprecedented opportunities to design large-scale public works projects in the postwar period, architects in the 1950s and '60s eagerly took on the large-scale cultural and environmental problems of the day. Bowling seeks to reposition the contemporary debate of what a city should be by exploring how city-scaled mega-forms can become an updated architecture-based urbanism—a conjecture of what a comprehensible city could be to combat (predicted) crises—through analysis and experimentation. Through the filter of productive contemporary crises, the urban-scaled architecture project can engage and exploit existing infrastructural conditions as a catalyst for urban invention.”
Sarah Dunn and Martin Felsen, UrbanLab
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The Graham Foundation announced today that faculty members Alex Robinson and Diane Ghirardo are two of their 2018 grantees. Robinson's grant was awarded for his publication "The Spoils of Dust: Reinventing the Lake that Made Los Angeles," a book that details the history of the dried Owens Lake in California and offers tools to demonstrate an imaginative approach to dry lake design. Ghirardo's grant is for her book "Aldo Rossi and the Spirit of Architecture," which explores the creative process by which Italian architect Aldo Rossi carried his theories and methodologies into built form in buildings, drawings and product design.
This year, the Foundation awarded $534,850 for new grants to individuals around the world to support 74 projects promoting original ideas that advance our understanding of the designed environment. Funded projects include exhibitions, publications, films, new media works and site-specific installations that promote rigorous scholarship, stimulate experimentation and foster critical discourse in architecture.
Robinson is an assistant professor in the Master of Landscape Architecture & Urbanism program and principal of the Office of Outdoor Research in Los Angeles. His research advances the design craft of large-scale multi-functional infrastructures through his synthesis of historical analysis, advanced design tools and public engagement. "The Spoils of Dust" was also awarded a 2018 Foundation for Landscape Studies David R. Coffin Publication grant given "for the research and publication of a book that advances scholarship in the field of garden history and landscape studies."
For more information on Robinson's grant, click here: http://www.grahamfoundation.org/grantees/5768-the-spoils-of-dust-reinven...
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